at the theater Furio Camillo, Rome ... Theatre Workshop for actors, writers and directors .
It is assumed that the theater is a unique field of research, the differentiation of roles and specializations are beyond or on this side of the areas I'm interested in addressing.
More than a laboratory, these four days will be a place of encounter and exchange. I'm going to offer my experience, the participants in their questions. Why questions are formed, there must be projects. You can not ask: how does the theater? One might ask: I want to achieve this, say this, do that, or reciting this text, or even write this story. The tools will be the result of the initial application, and the obstacles that we will find on the road.
As the field of common experience, at the beginning of each day, I will bring a small dowry of exercises and games, and will be touched on some topics that are dear to me: the mask, as a tool that allows improvisation and understanding of theater the conflict, the clown, or the exploration of its fragility through the exhibition of his exhibitionism, and the story, as a common basis for all dramatic writing.
The second part of each meeting will be devoted to projects of the participants. Bring a material you are working or intend to work individually or in pairs or larger groups.
The material can be of any type and any stage of work: an idea, a scene, a text (yours or others), a physical score
... The work we do will be at many levels, from setting to finish , the variety of your suggestions will enrich the experience of all, my first.
comfortable clothing but not gymnastics.
10 to February 13, 2010
from 14 to 18
Cost € 170
For info and reservations: andrea-cosentino@libero.it
Andrea Cosentino . Actor, author, comedian and theater scholar. Among his performances in The turtle bike goes downhill fast, this consists of the diptych of the albino donkey and Angelica (the texts of which are published in Andrea Cosentino apocalypse comic by Carla Romana Antolini, Rome, Books and show , 2008) and Momo-Antò the curtain raiser of the cruelty, all with the collaboration of Andrea V. Franceschi and Valerie Jackson. On television in 2003 to participate in television shows Cyrus Visitors (RTI Mediaset), for which he invented a serial soap opera-crazy recited by plastic dolls. With the ass. cult. MARA'SAMORT hypothesis works for the theater-with-the margin, and promotes the para-format television Telomomò self-sufficient.
