Woman Getting Her Nipples Pierced

the invitation of the Theatre Workshop of the Cough

born in Liguria, a point of excellence aimed at giving visibility to those who choose to do one of the historic theater in less appropriate to do so.
The Theatre of the Cough is always attentive to the emerging companies of the national theater scene. From this year the halls of the Cough open the new theater through a competition open to groups of Liguria.
The selected companies will present their work, alongside a well-established youth from all over Italy, the Festival Pre-Visions to finish the season 2010/2011.

CALL FOR PARTICIPATION
Foundation Luzzati Theatre presents the first edition of the Cough of the notice " Pre-Vision the" supporting the visibility of new shows.
are eligible to participate in individual artists, companies and theater groups of the region and not funded.

Artists can bring their own creation by choosing from unpublished:

a) show (creation tasks aimed at a traditional theater space)
b) performance (which does not require creation of a traditional theater space maximum 20 minutes)
c) study of a new production (creation in progress 40 minutes max)

Each artist or group artists may submit a maximum of one proposal.

Projects are evaluated by a committee formed by Emanuele Conte, Fabrizio Arcuri and three other subjects chosen from the Italian critics and theater professionals.

The jury's decision is final.

Each question is assigned a rating from 0 to 100 points equivalent to the following factors in assigning points:

a) quality of the submitted project (score 0 to 40)
b) technical feasibility of the proposed project ( points from 0 to 30)
c) an innovation owned by the project (score 0 to 30)

The finalists, for a maximum of 3 events and made three or studio performance will be accommodated within the programming of the Festival Pre-Visions to be held in the halls of the Theatres of St. Augustine from April 28 to May 7, 2011.

Selected projects will be offered the technical details and technical assistance, promotion and 50% of the proceeds net of VAT and SIAE replicas made.

The Committee may request that the artists / groups, the availability of a meeting in Genoa.

Submission:
The materials must be sent by registered mail with return receipt or hand-delivered in a sealed envelope to:

Luzzati Foundation Theatre of the Cough Call
Pre.Visioni
p.za r. Blacks 6 / 2 16123 Genoa

by January 15, 2011
(as attested by the postmark)

Info: pre-visioni@teatrodellatosse.it

Gay Cruiseing Etiquette

"As if - Magic and Method" in Rome with Anton Milenin

The workshop aims to help creative people and artists to connect with the creative part of the self.

About Us and what we are made as an inexhaustible resource to draw from. Demonstrate, through personal talent, the magic of his own creation and increase their awareness.

The training will be basic Stanislavsky Method \\ Strasberg - not to distort the power of this "technical" with words and concepts not easily understood separate from experience, I would say simply that it gives the tools to play a role as if he had the character, living in truth - as a credible - given imaginary circumstances.

A series of exercises provided for the instrument \\ body accessibility of their emotions, memories, experiences to make the interpretation more true because it goes through a personal experience.

the concept as if it is what unites him to the Neuro Linguistic Programming and innovative will assist the coaching of an expert so that the training can also become personal growth and provide tools to manage their own creativity and moving from one stage to Creative Magic one manifestation.

program: starting from a picture or image (photo or sculpture) choices are seeking personal connection with the work and develops through various exercises - individual and collective - that is acting GNP. Through the "simulacrum" you give voice to their imagination / creativity / talent, developing a draft text of the character created by such an encounter.

The training exercises will include the classics of this method and pnl :

relaxation, sensory work, and replacement embodiment, affective memory, private moment, hypnosis.

Insight: The P ROGRAMMING N € the inguistica, usually called in a short GNP, more than a theory of behavior, is a model, a set of techniques and procedures, the validity is sought in their usefulness and effectiveness, putting aside all claim to be a representation of the "Truth" with "V" capitalized.

The epistemological approach is cognitive-behavioral, more typical of the biological sciences rather than humanities and traditional psychology. The emphasis on the effectiveness makes it an extremely dynamic discipline, which could be constantly updated with new developments and procedures in front of which the programmer neurolinguista stands a simple, single question: it works or not?

The GNP research models and techniques able to produce the desired changes, based on observation of subjective experience, individual and unique for each person, but also based on a well-defined and active "structure" that characterizes us as humans.

The NLP was born from the happy meeting of two minds really insightful, unique and exceptional, that of John Grinder, a professor of linguistics, and his student, Richard Bandler, a student of mathematics and IT.

The difference that makes the difference "of GNP is in this orientation, efficiency, rapidity of solutions and the inner transformation,

Infos : 11 to 15 October 2010 hours 9-14

c / o Teatro Abaris, Via dei Sabelli 116

5 hours per day cost 250 €

www.abra-mom.com

Crown Royal Reserve Vs Gentleman Jack

Seminar in Rome

Hamlet and Ivanov proceed from death, and death come in eternity. But they are characters! How can the same happens in an actor? What are your constraints that needs to be broken? and as can be imagined, climb and live in this future that is born outside of each bond broken?

There is an actor for a technique that allows him not to fall in most cliches, and its text?

an actor can feel free on stage, and at the same time remain faithful to the meaning of the text?

second stage of the project "King Hamlet."

Topics of the seminar:

· The work of the actor in the play structure (Meyerhold) and the psychological structure (Stanislavsky).

· projection of the text on himself and away.

· distance between actor and character (the play character - play with character).

· distance between actor and person

· How to use the tools of the actor: sense, feeling and commissioning scene.

· Acting in the closed structure (relationship with partner) - acting in the open structure (relationship with the theme)

· composition analysis of the text as a principle of work of the actor : understanding the structure of the text through the disassembly and subsequent re-composition in the consciousness of 'actor.

· psychological analysis of the text, analysis of the emotional level, analysis of the conceptual and symbolic analysis.

Anton Milenin student is "in direct line" of Stanislavski (Stanislavsky, Meyerhold -Knebel-Budgkjevic-Vassil'ev-Milenin ) is one of the leading exponents of the new generation of Russian directors. He graduated as an actor and director at GITIS, from 1990 to 1992 he worked as an actor at MkhAT (Moscow Art Theatre). A student of Vassil'ev during Skorik. He worked in Italy for about 10 years in the major national theaters producing shows and seminars on writers from Shakespeare to Koltes. He is currently 'director of Theatre in Moscow Kostja Treplev of which it is' founder.

http://www.youtube.com/watch?v=fto9q5wdfqk

FACEBOOK: http://www.facebook.com/home.php? # / Group.php? Gid = 124370794260221 & ref = ts

Info

The seminar is aimed at actors and directors and will be held in Italian.

Workplace: Villa Piccolomini ( www.villapiccolomini.it ) from October 28 to November 10, 2010 from 17.30 to 22.30.

Fee: € 320 .

Registration Deadline October 23 ..

For information or to send your application enclosing your CV to

maxsarao@yahoo.it , 347 290 96 96