"RE Hamlet" - Masterclass for actors, directors and students with Anton Milenin
"RE Hamlet"
Masterclass for actors, directors and students with Anton Milenin
Textbooks: Shakespeare's Hamlet, Ivanov
Chekhov's "Hamlet and Ivanov proceed from death, and death come in eternity. But they are characters! How can the same happen to an actor what are its constraints that needs to be broken and how can guess, get over and live in this future that comes to beyond a broken link?
There is an actor for a technique that allows him not to fall in most cliches, and its text? an actor can feel free on stage, and at the same time remain faithful to the meaning of the text?
Topics of the seminar: The work of the actor in the play structure (Meyerhold) and the psychological structure (Stanislavsky). distance between actor and character (the character acting - acting with the character) How to use the tools of the actor: sense, feeling and staging. psychological analysis of the text, the emotional, conceptual and symbolic analysis.
This seminar is part of a cycle that has touched several Italian cities and aims to be the practical purpose creation of a permanent ensemble of actors on the Italian and Russian texts of Shakespeare.
Anton Milenin student is "in direct line" of Stanislavski (Stanislavsky, Meyerhold-Knebel-Budgkjevic-Vassil'ev-Milenin) is one of the leading exponents of the new generation of Russian directors. He graduated as an actor and director at GITIS, from 1990 to 1992 he worked as an actor at MkhAT (Moscow Art Theatre). A student of Vassil'ev during Skorik. He worked in Italy for about 10 years in the major national theaters producing shows and seminars on writers from Shakespeare to Koltes. He is currently 'director of Theatre in Moscow in Kostja Treplev and' founder.
Info The seminar is aimed at actors and directors and will take place in the Italian language at the headquarters of Villa Piccolomini, Via Aurelia Antica 164 Rome from December 13 to December 23, 2010 the afternoon-evening.
Participation fee: 350 € . Send cv and a photo jpg max 100 kb accompanied by a cover letter by 10.12.2010. For information and to submit your application: ariel.zoom @ yahoo.it - \u200b\u200b338.65.35.136
the invitation of the Theatre Workshop of the Cough
born in Liguria, a point of excellence aimed at giving visibility to those who choose to do one of the historic theater in less appropriate to do so. The Theatre of the Cough is always attentive to the emerging companies of the national theater scene. From this year the halls of the Cough open the new theater through a competition open to groups of Liguria. The selected companies will present their work, alongside a well-established youth from all over Italy, the Festival Pre-Visions to finish the season 2010/2011.
CALL FOR PARTICIPATION Foundation Luzzati Theatre presents the first edition of the Cough of the notice " Pre-Vision the" supporting the visibility of new shows. are eligible to participate in individual artists, companies and theater groups of the region and not funded.
Artists can bring their own creation by choosing from unpublished:
a) show (creation tasks aimed at a traditional theater space) b) performance (which does not require creation of a traditional theater space maximum 20 minutes) c) study of a new production (creation in progress 40 minutes max)
Each artist or group artists may submit a maximum of one proposal.
Projects are evaluated by a committee formed by Emanuele Conte, Fabrizio Arcuri and three other subjects chosen from the Italian critics and theater professionals.
The jury's decision is final.
Each question is assigned a rating from 0 to 100 points equivalent to the following factors in assigning points:
a) quality of the submitted project (score 0 to 40) b) technical feasibility of the proposed project ( points from 0 to 30) c) an innovation owned by the project (score 0 to 30)
The finalists, for a maximum of 3 events and made three or studio performance will be accommodated within the programming of the Festival Pre-Visions to be held in the halls of the Theatres of St. Augustine from April 28 to May 7, 2011.
Selected projects will be offered the technical details and technical assistance, promotion and 50% of the proceeds net of VAT and SIAE replicas made.
The Committee may request that the artists / groups, the availability of a meeting in Genoa.
Submission: The materials must be sent by registered mail with return receipt or hand-delivered in a sealed envelope to:
Luzzati Foundation Theatre of the Cough Call Pre.Visioni p.za r. Blacks 6 / 2 16123 Genoa
"As if - Magic and Method" in Rome with Anton Milenin
The workshop aims to help creative people and artists to connect with the creative part of the self.
About Us and what we are made as an inexhaustible resource to draw from. Demonstrate, through personal talent, the magic of his own creation and increase their awareness.
The training will be basic Stanislavsky Method \\ Strasberg - not to distort the power of this "technical" with words and concepts not easily understood separate from experience, I would say simply that it gives the tools to play a role as if he had the character, living in truth - as a credible - given imaginary circumstances.
A series of exercises provided for the instrument \\ body accessibility of their emotions, memories, experiences to make the interpretation more true because it goes through a personal experience.
the concept as if it is what unites him to the Neuro Linguistic Programming and innovative will assist the coaching of an expert so that the training can also become personal growth and provide tools to manage their own creativity and moving from one stage to Creative Magic one manifestation.
program: starting from a picture or image (photo or sculpture) choices are seeking personal connection with the work and develops through various exercises - individual and collective - that is acting GNP. Through the "simulacrum" you give voice to their imagination / creativity / talent, developing a draft text of the character created by such an encounter.
The training exercises will include the classics of this method and pnl :
Insight: The P ROGRAMMING N € the inguistica, usually called in a short GNP, more than a theory of behavior, is a model, a set of techniques and procedures, the validity is sought in their usefulness and effectiveness, putting aside all claim to be a representation of the "Truth" with "V" capitalized.
The epistemological approach is cognitive-behavioral, more typical of the biological sciences rather than humanities and traditional psychology. The emphasis on the effectiveness makes it an extremely dynamic discipline, which could be constantly updated with new developments and procedures in front of which the programmer neurolinguista stands a simple, single question: it works or not?
The GNP research models and techniques able to produce the desired changes, based on observation of subjective experience, individual and unique for each person, but also based on a well-defined and active "structure" that characterizes us as humans.
The NLP was born from the happy meeting of two minds really insightful, unique and exceptional, that of John Grinder, a professor of linguistics, and his student, Richard Bandler, a student of mathematics and IT.
The difference that makes the difference "of GNP is in this orientation, efficiency, rapidity of solutions and the inner transformation,
Hamlet and Ivanov proceed from death, and death come in eternity. But they are characters! How can the same happens in an actor? What are your constraints that needs to be broken? and as can be imagined, climb and live in this future that is born outside of each bond broken?
There is an actor for a technique that allows him not to fall in most cliches, and its text?
an actor can feel free on stage, and at the same time remain faithful to the meaning of the text?
second stage of the project "King Hamlet."
Topics of the seminar:
· The work of the actor in the play structure (Meyerhold) and the psychological structure (Stanislavsky).
· projection of the text on himself and away.
· distance between actor and character (the play character - play with character).
· distance between actor and person
· How to use the tools of the actor: sense, feeling and commissioning scene.
· Acting in the closed structure (relationship with partner) - acting in the open structure (relationship with the theme)
· composition analysis of the text as a principle of work of the actor : understanding the structure of the text through the disassembly and subsequent re-composition in the consciousness of 'actor.
· psychological analysis of the text, analysis of the emotional level, analysis of the conceptual and symbolic analysis.
Anton Milenin student is "in direct line" of Stanislavski (Stanislavsky, Meyerhold -Knebel-Budgkjevic-Vassil'ev-Milenin ) is one of the leading exponents of the new generation of Russian directors. He graduated as an actor and director at GITIS, from 1990 to 1992 he worked as an actor at MkhAT (Moscow Art Theatre). A student of Vassil'ev during Skorik. He worked in Italy for about 10 years in the major national theaters producing shows and seminars on writers from Shakespeare to Koltes. He is currently 'director of Theatre in Moscow Kostja Treplev of which it is' founder.
Still a presentation to the humorous film "babbaluci. The film will be presented in Raffadali Friday, August 13, 2010 at the Villa "Livatino and Lightning". The film was made two years ago with a hundred local actors and produced by the "Loi Emanuela" of Agrigento. The film was written and directed by Raimondo Moncada. is loosely based on the humor book " touches you even if you touch " written by the same author and published by CSA Editrice. During the evening, besides the presentation of the book and the screening of "babbaluci", also scheduled meetings of taste and flavors of wings and coordinated by the feud by the Production Activities of the City of Raffadali. Attended by, among others, the commissioner and the director Joseph Bread and television presenter of Teleacras Enzo Alessi.
One-month residency on writing theater in Sardinia, with Claudia Castellucci and Chiara Guidi . Villas Matte - Writing be held for the first edition from September 17 to October 17, 2010 in the town of Orroli (CA), in the spaces of the House Carrus, with moments of study and practice in the theatrical space of the local library and territory.
The residency program will select a group of artists from more than ten national and international operations, providing food, accommodation and places of work and study. The 2010 program is entitled "The dramatic work emerge sync" and you will see as a visiting professor Claudia Castellucci Raffaello Sanzio of Socìetas as assistants Stefano Bartolini, Philip caps and Marco Villari and outside guests as Chiara Guidi and two other guests who will be selected based on areas of interest of the artists selected for the residency program.
addition to the general theory of drama, will be three branches of investigation also examined in the practical phases of Residence: · branch descriptive · branch visual · branch auditory
The research will focus on the suggesting specificity of theater studies, lectures, plays and views, and ask students to produce a dramatic composition of text to be put to the test, at least in part. This exercise will help to develop the composition, and critical hermeneutics. The impression is therefore purely theoretical, but it is essential to make regular exercise. Practice means to try to translate ideas into reality, so as to instantly check their holdings on the scene. And proportionate means to weigh all the elements of theater writing (interpretation, music, stage, lights, costumes) actually on the scene.
theoretical topics to be addressed in the search path will be: · Theory of drama · Ecfrasi or exercise description · iconology and filmography, or exercise of attention to the images · musicology, dramatic, or exemplary or illustrative exercise plays · Composition voice, or the exercise of dramatic rhythm in the human vocal · psychology movement
During the residency there will be moments of meeting open to the public, including conferences, lectures, dinners (by reservation), which will involve all those interested in the project. The work will end with the final event of the presentation, scheduled for October 16, and a publication in Italian and English by Kaleidoscope, reflecting the period of training and research. Proposals for self-nomination may be sent to scrittura@levillematte.it //--> This email address is being protected from spam bots. You need JavaScript enabled to view it. by August 13, 2010.
Download NOTICE PROGRAM APPLICATION FORM go Blog: http://www.klpteatro.it/index.php?option=com_content&view=article&id=1626% 3Aaffiorare-sync-opera-drama & catid = 48% 3Agenerale & Itemid = 82 which was taken from this post
The company theater appearances seeking an actor / actress (20 to 35 years) to complete the cast of the new production " Pinocchio" by J. Pommerat. The show, created as part of the Face à Face - words of Italy for the scenes of France, will debut in Rome at the Teatro Piccolo Eliseo Patroni Griffi December 29, 2010.
The selections will be as follows:
From June 21 to 23 hours 10:00 to 17:00 at the space FREEZERO9 Via Matteo Tondi 22 (zone Pietralata)
- Filmstrip individual who is required to present a monologue of about five minutes of a song. You should also bring along your CV and a photo (including photocopying) to be delivered upon arrival.
In September 2010, at dates to be decided
- Laboratory lasting four days, held by the director Fabrizio Pallara and aimed at those who pass the first test, which will be selected at the end of the actor / actress for the show.
To register please send an e-mail stating your name, birth date and phone number.
organization Sara Ferrari organizzazione@teatrodelleapparizioni.it
between heaven and earth there will never be a wall Intensive Seminar for actors and directors
works Koltès their contents are so devoid of veils, that the only form suitable for their realization is nudity. Nudity, interior and exterior.
"Roberto Zucco" is a testament, a series of laws to those who have not yet lost hope of understanding the secret of love, for the brave who choose the path to where the sun's disc unfolds.
Objectives of the seminar: the seminar will be addressed in the study the opera "Roberto Zucco" in accordance with the principles of the theater play. Studio's composed of the elements of the art of the actor: The three elements of the actor's technique: the staging, direction, feeling.
Anton Milenin student is "in direct line" of Stanislavski (Stanislavsky, Meyerhold-Knebel-Budgkjevic-Vassil'ev-Milenin) is one of the leading exponents of the new generation of Russian directors. He graduated as an actor and director at GITIS, from 1990 to 1992 he worked as an actor at MkhAT (Moscow Art Theatre). A student of Vassil'ev during Skorik. He worked in Italy for about 10 years in the major national theaters producing shows and seminars on writers from Shakespeare to Koltes. He currently works in Russia and Italy back occasionally.
Work Time: From June 14 to 18 , from 18.00 to 23.00 Text work: BM Koltes's Roberto Zucco Participation fee: 120 Euro Deadline: June 10 Send CV to: SDIP @ libero.it; Info: Sara D'Ippolito Tel: 3403350218
Muciara is no longer a sea tuna - the second study on the continuity
picture Claudio Oliva
7, 8 and 9 April at 21.00
c / o Angelo Mai
because of Baths of Caracalla, 55 - Rome
produzionepovera
has
Muciara
is no longer a sea tuna
second study on the continuity
by and with Gaspare Balsamo
and participation of Mambaye Diop and Silvia Balossi the kora
artistic collaboration Donatella Franciosi
assistant Maura Teofili
lights Joseph Fish
production produzionepovera
The study inspired by the culture of tuna fishing in Sicily and especially in Trapani. He does not want to be a nostalgic reproduction of a cultural microcosm as that of Rais and his crew, rather than a personal journey, that of the author's memory, his emotions and feelings. A dip into his past, when the road baby sea tuna smelled sour and looking for the point, and in a present where a visit to the old trap abandoned and destroyed, a metaphor for a reality full of goods / munnizza contemporary says the attempt to mend our broken identity between what we are and what we can no longer to be.
In this sense 'Muciara' as 'Camurri' is a study on continuity.
