"babbaluci", the humorous film written and directed by Raymond Moncada, will be presented and screened this weekend also Raffadali. The initiative is promoted by the mayor Silvio Cuffaro and the Culture Angelo Salemi and is one of the events organized by the Municipality for the year. The movie "babbaluci" produced by the cultural "Emanuela Loi" in Agrigento, will be presented and screened next Sunday, December 27, 2009, at 21.00 at the Tent set up in Piazza Progress. There will be, among others, the author Raymond Moncada, the president of "Emanuela Loi" Fabio Fabiano and some actors of the cast, many of which Raffadali including: Enzo Alessi, Lucia Alessi, Fasel Pino, Elias Vella Tonina Rampello, Silvana Gacioppo, Ninette Inglima, John Ferro, Anfonso Gueli, Maria Bruno, Gianni House, Luna Moncada, Francesca Fregapane, Alessandro Gueli, Angela Nocera and the elements of the local band "Luigi Parisi" directed by master Filippo Ragusa. At present the initiative to the city council, there will be Councillor for Culture Angelo Salemi. The entrance to the vision of "babbaluci" is free. "babbaluci" so goes the tour of presentations and projections. They remember some of the stages: the film has been selected and screened at national film festival ironic "Comedy September" of Monsummano Terme (Pistoia), at the "Filmfest Sciacca and presented to the review of Sicily Arts & Culture" Ignazio Buttitta "Favara and Joppa Giancaxio. The film's humorous Raimondo Moncada, freely inspired by the humor book "You even if it touches you touches "the same author, has the horns in the center and the popular gossip on marital betrayal. The film has a duration of fifty minutes.
NNU Neuer Notwendiger Untergrund (New necessary subsoil)
ensemble of international artists
has
HAMLETFABRIK II
hamlet: maschine - ophelia
Co NNU and Theatre Forte
Organization ephemeral theater
28.12.2009 - 10.01.2010
THEATERKAPELLE, Berlin
The Hamletfabrik is a catalog of questions seeking answers, and that through this
factory movement, possibly, theater. It's like a description of a painting - an apocalyptic
parade of ghosts full of zombies in a strange place, where they dance, speak, be silent, song,
laugh, cry, make music, you scream, we groan, mind you, deny it, is to be recited against boredom. It's all
exactly like any other real theater. Do not want to stand out from this but the same
is something else. It is the combination of the most aesthetic styles, uses millions of images and
crystallizes in a furious state of rest. The Hamletfabrik is "ballet of the living Dead and alive
already dead," united in a revolutionary choir. The performers are mutually different, speak different languages \u200b\u200b
- but meaning the same, only claim the arts. As the machine-men-müller
search of a revolutionary force. Hamlet and Ophelia are always still looking for love on
battlefield between men and women who will become theater.
REFUSAL QUIET EXPLOSION - "I have no role"
in theater workshops "Hamletfabrik I" (held in Rome, August 09) and "Hamletfabrik II" (which
held in Berlin at the turn of the new year) it makes a political theater. The theatrical collage
"Hamlet: Ophelia Maschine" resulting from this work is a combination of different
theatrical aesthetic, a force of a play and let the masses of men meet and
collide in the theater. You can dance, or dance, speak, or scream, it is silent, laugh, cry, mind you
and sings, plays and moans, he denies - against boredom play (the untranslatable word that
means at the same time acting, play, play) - you theater. Hamlet and Ophelia joined in chorus
as a revolutionary force, different languages \u200b\u200band images, but the same meaning
claim artistic - these are the "workers" who work in Hamletfabrik ( factory
Hamlet / s). Looking like the figures of Mueller Hamlet and Ophelia-Man-Woman, the sense of theater
and their own role in life. "Hamlet: Ophelia Maschine" is a show that talks about
love, a collage of war and reconciliation. A collective search of utopia and
attempt to find ways to survive the great injustices of our board of
screw (plays).
NNU
The group of artists working under the direction of NNU Uwe Schmieder already for almost 7 years continuously with artists and friends from different backgrounds and training. Theater, performances, political review, reading space, punk concerts, art festivals and numerous other events appear in the curriculum. The invention of surreal events and life situations of interesting people, finding stories and exciting events in our environment, creating fun times together in the tests, often open to the public, defining the work process and later the show what we discovered together. The aim of our work together is to develop a theater and a modern drama in which boredom has no place. Means of expression of the ancient theater, spoken or sung as the chorus is discovered and used. Our vehicles are those of the physical theater, live music, but also those of the modern theater of the word static. In our field we use different types of parallel
theater, without one can exclude the other. Thus a necessary and absolutely new underground theater can be achieved for our audience, our artists and our lives.
in HARD LIFE / THEATRE in is the resist.
The Answering questions, the do's and do nothing in FEAR of boredom in the space that you look. What is recited today? WHY 'is recited? CIO 'that is shown should appeal, and what they should tell the here and now? No support over a difficult situation and unsurpassed and its state of rest. QUESTION OF FUND The first is always easier to ask questions together and propose simple solutions, as well as with other SILENT about it. Leave the questions irrisposte, be silent, silence, the resistance to crises are important moments for our theater and no one should ever have to answer the questions posed immediate termination. It would be boring, too simple and not at all exciting. The social problem / theater is right: If your life / in the theater not offered plausible solutions to problems, and lack of interest arise. Among the people / viewers are spreading fear and stress, and for us, the artists can no longer be any free thought. But in this moment of wisdom, common in the endurance of nowhere and you do your own experiences and forming knowledge. This course requires courage on the part of all. But even this may redefine courage UNDERGROUND a theater, a theme, a show. Surely it is hard to let happen, but it is
NECESSARY. Because when we leave NOTHING MUCH happens again
PROGRAM
December 2009
28/12
in theater
11:55 pm Theaterkapelle of publica Employment - Press Conference
in store Cafe Müller
20:00 pm "The news of the day with evaluation
20:15 am Opening of Cafe Muller with Uwe Schmieder and Christina Ehmig Könning
21:00 Reading Performance "lasset day Kindlein ... "by T. Martin, mise en espace: Christina Ehmig
Könning
22:30 am "Where is the tomorrow that we saw yesterday," party and concert with "THE NO FEARS"
29/12
in store Cafe Müller
20:00 pm "The news of the day with evaluation
Hours 21:00 Reading Performance "lasset Kindlein die ..."
23:00 pm Party "We discuss, drink and dance like in ' East we get lost / frayed "DJ
Ossi Ostborn up to about 1: 00
30/12
theater and cellar
From 20:00 NNU-Funeral Feast soup for all and Heiner Müller
20:00 pm "The news of the day with evaluation
20:15 pm funeral banquet and speech" On State of the Nation "with musical inserts of
Choir of Visionaries" and perhaps poetry.
21:30 pm Reading performance "something about Inge Müller" Blache involved
Kommerell, Maurice Taszman and ensemble NNU. Then band music surprisingly
January 2010
cellar
all day at 20:00 "The news of the day with evaluation
02/01 Cafe Müller
Hours 20:15 “Schiller”
03/01 Cafe Müller
Ore 20:15 “Revolution - Evolution”
04/01 Cafe Müller
Ore 20:15 "Bevölkerung - Revölkerung"
05/01 Cafe Müller
20:15 pm Axis Palermo - Berlin
in theater
07/01
20:00 pm first Hamlet OPHELIA maschine
08/10
Ore 8:00 p.m. Hamlet OPHELIA maschine
09/10
Ore 8:00 p.m. Hamlet OPHELIA maschine
10/10
20:00 pm hamlet: maschine OPHELIA
Director's
"hamlet: ophelia-maschine " is just the next logical next step in a long relationship that links the work dell'NNU texts by Heiner Müller. There are several work already done with and through texts, language, drama and the "style" theater by this author. A clear description of a fictitious place and that can kill within This can be done (description of a picture) on the other hand, the denial of "self" in an inevitable hell on earth (Hamletmaschine) are the starting points for our next job. The struggle between the conscious and the unconscious and the laws of motion and the passage of time are the engine that "word factory".
Our program: the famous return of equal recognition, the power play, a game of love between man and woman, bird, motto "I'm not Hamlet, Müller, Meier, Schulze, interruption in the flow, the babble in the text without a tongue, the hole in eternity, perhaps the solver ERROR. The living disturb the ballet of the dead with their shadows and their dance steps. bestimmt die Zukunft Die Vergangenheit, die adurch dnicht wählbar mehr frei ist und gestaltbar.
The past defines the future that it is this can not be freely chosen and structured. The size of the failure inevitably affects and applies to all: Hamlet, Ophelia, Müller, us, me, the storm frozen. H. Müller leaves in "Description of a framework" as in "Hamletmaschine" any narrative structure. After the story begins, after the conflict. Hamlet and Ophelia in Hamletmaschine, MAN, WOMAN and the bird in the "Description of a picture" no longer live in the play, but after this there are, after death, after the theater. Hamlet comes out of his role. You put on top of problems
practical and moral situation of the classic Hamlet. A compartment, end-game unplayable. The
questions in the "Description" about the action, gaze upon it, allows Müller to play possibilities. Each position is made in vain. We are located between the two sides and both sides of the front. The contract shall be canceled and cons. Whatever the situation is deprived of its borders, the 'I' attack without hope replaceable, interchangeable. We are in a time when the contempt, the "sucks", is a privilege. Similarly Ophelia, the sum of experiences of pain and loss, exits. It becomes the last step in the Electra in "wild waiting" in his monstrous armor. No philosophy can save her / us or bring a
some guidance in this state of neglect. And when she will be around with butcher knives in your bedroom you will know the truth.
LIST figure for the next film NANNI MORETTI HEADED 'Habemus PAPAM '
Sacher Film The search for the next film by Nanni Moretti titled 'Habemus Papam ', the following figures:
- Swiss Guards. 18/35 years. 180/186 cm tall, Nordic look with Italian, French, German, Austrian and Swiss;
- Ceremonies. 20/45 years, seminarians
- Men. 30/50 years. Yours. European / Mediterranean. Hair not too short;
- Sisters. Women aged 35/50 years.
- Preti. Men's 35/50 years.
- young priests. 25/35 years. Thin and tall;
- Sisters of various nationalities. 18/40 years. Clean face.
- Vatican attendants. 45. Distinct, thin.
- a professional photographer with own equipment. 50.
- police agents. 40/55 years. Yours. Lending. No shaved heads.
- Young people of all nationalities aged 18 to 30 years. Faces clean. Even established groups.
- Families with children of all nationalities aged between 7 and 10 years.
- a band composed of 3 / 5 people who can do Latin music (presented with pictures of the group and music CD full of Infotel and mail)
All applicants must be resident in Rome from February to the availability and May 2010. Foreigners must be in possession of valid residence permit for that period. Women are asked to report without makeup. Your photos are not necessary.
I casting will be held Friday, December 18, 2009 and Friday, January 8, 2010 from 10.00 to 14.30 in the CINEMA Sacher Largo Ascianghi, 1 (Portaportese) - Rome
I "babbaluci" are by definition slow but always come. Are perhaps the horns to give them the strength to go on and win time and time. It also happens to the masterpieces of our local amateur film made with the billions of single passion. Always come. The film "babbaluci," written and directed by Raymond Moncada and produced by the "Loi Emanuela" proceeds on its way. The short film is coming to Favara, common the province of Agrigento that gave birth to some of the cast. The film will be presented and projected in one of the rooms of the Castello Chiaramonte Saturday, December 5, 2009, at 17, as part of a week of events related to Arts and Culture Award "Ignazio Buttitta" organized by the Cultural Center "Guttuso under the patronage of the town of Favara. the presentation of "babbaluci" Speakers among others, author and director of the film Raimondo Moncada, the president of "Emanuela Loi" Fabio Fabiano, the writer and director Enzo Alessi (one of the actors), the assessor Culture City of Favara Antonio Patti and the chairman of the cultural center "Guttuso" Lina Urso Gucciardino. The presentation of the movie "babbaluci" anticipate several days of the closing event of the article and full program of the award dedicated to the great poet and Sicilian blood Bagheria. On 8 December, in fact, always at the Castello Chiaramonte, there will be the delivery of prizes and the special prize of the 11th edition of "Art and Culture Sicilian Ignazio Buttitta. Previous winners of the special award, the newspaper Teleacras, Margaret Riolo, the institution "Alessio Di Giovanni, Giuseppe Lentini to memory, periodic "Regardless" and the home district "Petrus" of Agrigento. These, however, the winners of literary awards: the poetry prize will be awarded to Florinda Maragliano of Bologna, the young poetry prize crap catenanes Institute of Ipa Favara, the prize for the "Cuntu" Salvatore Maragliano Raffadali . For the Books section, the prize will be to attribute the Piero Carbone.
