How Long For Omeprazole To Get Out Of My System

Hamletmachine II in Berlin

NNU Neuer Notwendiger Untergrund (New necessary subsoil)

ensemble of international artists

has

HAMLETFABRIK II

hamlet: maschine - ophelia

Co NNU and Theatre Forte

Organization ephemeral theater

28.12.2009 - 10.01.2010

THEATERKAPELLE, Berlin

The Hamletfabrik is a catalog of questions seeking answers, and that through this

factory movement, possibly, theater. It's like a description of a painting - an apocalyptic

parade of ghosts full of zombies in a strange place, where they dance, speak, be silent, song,

laugh, cry, make music, you scream, we groan, mind you, deny it, is to be recited against boredom. It's all

exactly like any other real theater. Do not want to stand out from this but the same

is something else. It is the combination of the most aesthetic styles, uses millions of images and

crystallizes in a furious state of rest. The Hamletfabrik is "ballet of the living Dead and alive

already dead," united in a revolutionary choir. The performers are mutually different, speak different languages \u200b\u200b

- but meaning the same, only claim the arts. As the machine-men-müller

search of a revolutionary force. Hamlet and Ophelia are always still looking for love on

battlefield between men and women who will become theater.

REFUSAL QUIET EXPLOSION - "I have no role"

in theater workshops "Hamletfabrik I" (held in Rome, August 09) and "Hamletfabrik II" (which

held in Berlin at the turn of the new year) it makes a political theater. The theatrical collage

"Hamlet: Ophelia Maschine" resulting from this work is a combination of different

theatrical aesthetic, a force of a play and let the masses of men meet and

collide in the theater. You can dance, or dance, speak, or scream, it is silent, laugh, cry, mind you

and sings, plays and moans, he denies - against boredom play (the untranslatable word that

means at the same time acting, play, play) - you theater. Hamlet and Ophelia joined in chorus

as a revolutionary force, different languages \u200b\u200band images, but the same meaning

claim artistic - these are the "workers" who work in Hamletfabrik ( factory

Hamlet / s). Looking like the figures of Mueller Hamlet and Ophelia-Man-Woman, the sense of theater

and their own role in life. "Hamlet: Ophelia Maschine" is a show that talks about

love, a collage of war and reconciliation. A collective search of utopia and

attempt to find ways to survive the great injustices of our board of

screw (plays).

NNU

The group of artists working under the direction of NNU Uwe Schmieder already for almost 7 years continuously with artists and friends from different backgrounds and training. Theater, performances, political review, reading space, punk concerts, art festivals and numerous other events appear in the curriculum. The invention of surreal events and life situations of interesting people, finding stories and exciting events in our environment, creating fun times together in the tests, often open to the public, defining the work process and later the show what we discovered together. The aim of our work together is to develop a theater and a modern drama in which boredom has no place. Means of expression of the ancient theater, spoken or sung as the chorus is discovered and used. Our vehicles are those of the physical theater, live music, but also those of the modern theater of the word static. In our field we use different types of parallel

theater, without one can exclude the other. Thus a necessary and absolutely new underground theater can be achieved for our audience, our artists and our lives.

in HARD LIFE / THEATRE in is the resist.

The Answering questions, the do's and do nothing in FEAR of boredom in the space that you look. What is recited today? WHY 'is recited? CIO 'that is shown should appeal, and what they should tell the here and now? No support over a difficult situation and unsurpassed and its state of rest. QUESTION OF FUND The first is always easier to ask questions together and propose simple solutions, as well as with other SILENT about it. Leave the questions irrisposte, be silent, silence, the resistance to crises are important moments for our theater and no one should ever have to answer the questions posed immediate termination. It would be boring, too simple and not at all exciting. The social problem / theater is right: If your life / in the theater not offered plausible solutions to problems, and lack of interest arise. Among the people / viewers are spreading fear and stress, and for us, the artists can no longer be any free thought. But in this moment of wisdom, common in the endurance of nowhere and you do your own experiences and forming knowledge. This course requires courage on the part of all. But even this may redefine courage UNDERGROUND a theater, a theme, a show. Surely it is hard to let happen, but it is

NECESSARY. Because when we leave NOTHING MUCH happens again

PROGRAM

December 2009

28/12

in theater

11:55 pm Theaterkapelle of publica Employment - Press Conference

in store Cafe Müller

20:00 pm "The news of the day with evaluation

20:15 am Opening of Cafe Muller with Uwe Schmieder and Christina Ehmig Könning

21:00 Reading Performance "lasset day Kindlein ... "by T. Martin, mise en espace: Christina Ehmig

Könning

22:30 am "Where is the tomorrow that we saw yesterday," party and concert with "THE NO FEARS"

29/12

in store Cafe Müller

20:00 pm "The news of the day with evaluation

Hours 21:00 Reading Performance "lasset Kindlein die ..."

23:00 pm Party "We discuss, drink and dance like in ' East we get lost / frayed "DJ

Ossi Ostborn up to about 1: 00

30/12

theater and cellar

From 20:00 NNU-Funeral Feast soup for all and Heiner Müller

20:00 pm "The news of the day with evaluation

20:15 pm funeral banquet and speech" On State of the Nation "with musical inserts of

Choir of Visionaries" and perhaps poetry.

21:30 pm Reading performance "something about Inge Müller" Blache involved

Kommerell, Maurice Taszman and ensemble NNU. Then band music surprisingly

January 2010

cellar

all day at 20:00 "The news of the day with evaluation

02/01 Cafe Müller

Hours 20:15 “Schiller”

03/01 Cafe Müller

Ore 20:15 “Revolution - Evolution”

04/01 Cafe Müller

Ore 20:15 "Bevölkerung - Revölkerung"

05/01 Cafe Müller

20:15 pm Axis Palermo - Berlin

in theater

07/01

20:00 pm first Hamlet OPHELIA maschine

08/10

Ore 8:00 p.m. Hamlet OPHELIA maschine

09/10

Ore 8:00 p.m. Hamlet OPHELIA maschine

10/10

20:00 pm hamlet: maschine OPHELIA

Director's

"hamlet: ophelia-maschine " is just the next logical next step in a long relationship that links the work dell'NNU texts by Heiner Müller. There are several work already done with and through texts, language, drama and the "style" theater by this author. A clear description of a fictitious place and that can kill within This can be done (description of a picture) on the other hand, the denial of "self" in an inevitable hell on earth (Hamletmaschine) are the starting points for our next job. The struggle between the conscious and the unconscious and the laws of motion and the passage of time are the engine that "word factory".

Our program: the famous return of equal recognition, the power play, a game of love between man and woman, bird, motto "I'm not Hamlet, Müller, Meier, Schulze, interruption in the flow, the babble in the text without a tongue, the hole in eternity, perhaps the solver ERROR. The living disturb the ballet of the dead with their shadows and their dance steps. bestimmt die Zukunft Die Vergangenheit, die adurch dnicht wählbar mehr frei ist und gestaltbar.

The past defines the future that it is this can not be freely chosen and structured. The size of the failure inevitably affects and applies to all: Hamlet, Ophelia, Müller, us, me, the storm frozen. H. Müller leaves in "Description of a framework" as in "Hamletmaschine" any narrative structure. After the story begins, after the conflict. Hamlet and Ophelia in Hamletmaschine, MAN, WOMAN and the bird in the "Description of a picture" no longer live in the play, but after this there are, after death, after the theater. Hamlet comes out of his role. You put on top of problems

practical and moral situation of the classic Hamlet. A compartment, end-game unplayable. The

questions in the "Description" about the action, gaze upon it, allows Müller to play possibilities. Each position is made in vain. We are located between the two sides and both sides of the front. The contract shall be canceled and cons. Whatever the situation is deprived of its borders, the 'I' attack without hope replaceable, interchangeable. We are in a time when the contempt, the "sucks", is a privilege. Similarly Ophelia, the sum of experiences of pain and loss, exits. It becomes the last step in the Electra in "wild waiting" in his monstrous armor. No philosophy can save her / us or bring a

some guidance in this state of neglect. And when she will be around with butcher knives in your bedroom you will know the truth.

Uwe Schmieder

FOR INFORMATION

Communications Manager with Italy

aurora Kellermann (effimerateatro) 0163 4035670 leffimera@gmail.com

Print Manager (German and English)

stefanie witzlsperger 0176 78105754 steffanietscherl@gmx.de

Artistic Director (German)

Uwe Schmieder 0171 4984753 uweschmieder@t-online.de

WEB

German

www.neuernotwendigeruntergrund.de

in Italian

http://nnuit.twoday.ne t

http://hamletmaschineophelia.blogspot.com/